After Having Exhausted All The Arguments On

Because Every Book Of Art, Be It A Poem Or A Cupola, Is Understandably A Self-portrait Of Its Author, We Won't Strain Ourselves Too Hard Trying To Distinguish Between The Author's Persona And The Poem's Lyrical Hero. As A Rule, Such Distinctions Are Quite Meaningless, If Only Because A Lyrical Hero Is Invariably An Author's Self-projection.

Poems, Novels - These Things Belong To The Nation, To The Culture And The People. They've Been Stolen From The People And Now The Stolen Things Are Being Returned To Their Owners, But I Don't Think Their Owners Should Be Grateful To Receive Them.

I Didn't Want To Be Either The Cre`me De La Cre`me Or A Martyr. I'd Rather Be A Novelty, Especially In A Democracy That Doesn't Understand The Language I Write In.

If There Is Anything Good About Exile, It Is That It Teaches One Humility. It Accelerates One’s Drift Into Isolation, An Absolute Perspective. Into The Condition At Which All One Is Left With Is Oneself And One’s Language, With Nobody Or Nothing In Between. Exile Brings You Overnight Where It Would Normally Take A Lifetime To Go.

In Russia, The Moment A Person Opens His Mouth You Know Where He's From. There's The Uniformity Of Experience Of An Individual In Russia. When You're About 7 Years Old You Get Into School And You Get Put In This Factory Or This Bureaucracy Or Whatever. The Options Are Computable. Here It's Tremendously Diverse.