Adjectives Are The Potbelly Of Poetry.

The True Men Of Action In Our Time Those Who Transform The World Are Not The Politicians And Statesmen But The Scientists. Unfortunately Poetry Cannot Celebrate Them Because Their Deeds Are Concerned With Things, Not Persons, And Are Therefore Speechless. When I Find Myself In The Company Of Scientists, I Feel Like A Shabby Curate Who Has Strayed By Mistake Into A Drawing Room Full Of Dukes.

It Is Already Possible To Imagine A Society In Which The Majority Of The Population, That Is To Say, Its Laborers, Will Have Almost As Much Leisure As In Earlier Times Was Enjoyed By The Aristocracy. When One Recalls How Aristocracies In The Past Actually Behaved, The Prospect Is Not Cheerful.

I And The Public Know What All Schoolchildren Learn, Those To Whom Evil Is Done Do Evil In Return.

Most People Call Something Profound, Not Because It Is Near Some Important Truth But Because It Is Distant From Ordinary Life. Thus, Darkness Is Profound To The Eye, Silence To The Ear; What-is-not Is The Profundity Of What-is.

If It Really Was Queen Elizabeth Who Demanded To See Falstaff In A Comedy, Then She Showed Herself A Very Perceptive Critic. But Even In The Merry Wives Of Windsor, Falstaff Has Not And Could Not Have Found His True Home Because Shakespeare Was Only A Poet. For That He Was To Wait Nearly Two Hundred Years Till Verdi Wrote His Last Opera. Falstaff Is Not The Only Case Of A Character Whose True Home Is The World Of Music; Others Are Tristan, Isolde And Don Giovanni.