A Work Of Art Doesn't Exist Outside

I Don't Have Very Complete Scripts For My Films. I Have A General Outline And A Character In My Mind, And I Make No Notes Until I Find The Character Who's In My Mind In Reality.

It's Not So Much A Question Of Whether We've Shot It Through 35mm Or Digital Video; What Is Important Is Whether The Audience Accepts It As Real.

Of The Hundreds Of Points To Enter And Exit That Are Offered To Me, I Have To Choose The One That I Feel Is The Least Wrong, The Least Fake. It Is Fake, It Is A Moment That I Choose To Erupt The Story, But I Make It As Smooth As I Can. What Enables Me To Do It Is The Skill Of Filmmaking.

I Only Make Notes, I Don't Write Dialogues In Full. And The Notes Are Very Much Based On My Knowledge Of Person.

I've Often Noticed That We Are Not Able To Look At What We Have In Front Of Us, Unless It's Inside A Frame.