A Dead Love Never Dies.

I'm Really A Nightmare For The Fashion Designer Because I Take Away All Of His Authority, And I Become The Authority, And I Turn Him Into My Assistant. You Could Say I Intervene, And I Intervene In A Very Determining Way In All The Aspects That Have To Do With The Visual Construction Of The Film.

All My Movies Have An Autobiographical Dimension, But That Is Indirectly, Through The Characters. In Fact I Am Behind Everything That Happens And That Is Said, But I Am Never Talking About Myself In First Person. Something In Me - Probably A Dislike Of Cheap Exhibitionism- Stops Me From Approaching A Project Too Autobiographically.

I Think Décor Says A Lot About Someone's Social Position, Their Taste, Their Sensibility, Their Work - And Also About The Aesthetic Way I Have Chosen To Tell Their Story.

The Challenge To Me As A Director Was For The Audience To See The Film As Going On In A Straight Line, So That They Did Not Sense All Of These Break-ups. I Did Not Want A Film To Be A Collage Of All These Images.

The 1980s Really Ended For Me In 1992 With The Film Kika.