A Culture Is The Sum Of All

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.

I Think Very Often Producers Are Really Trying To Repeat Things. When They Hear Something In The New Songs That They Recognize As Being A Bit Like Something That Was A Success On A Previous Record, They're Inclined To Encourage That.

I'm Fascinated By Musicians Who Don't Completely Understand Their Territory; That's When You Do Your Best Work.

I've Discovered This New Electronic Technique That Creates New Speech Out Of Stuff That's Already There.

The Point About Working Is Not To Produce Great Stuff All The Time, But To Remain Ready For When You Can.