Joshua Ferris Quotes

I Can't Trace Thematic Similarities Between Then We Came To The End And The Unnamed To A Life Event; I Think It's More Just A Natural Progression As A Writer. Everything Changes In The Second Book - Tonally, Character-wise, Situationally - And On Top Of That, I Think I Wanted A Challenge. I Wanted To See If I Could Do It.

The Whole Time I Was Writing, I Had To Fight My Normal Inclination To Be Funny, To Sort Of Patch Humor In, In Order To Convey All Of The Disruptions Of The Disease To The Family Dynamic, The Loss Of Individuality, The Impact On Professional Life, And The Sanity Of The Main Character. Of Course, That's Not To Say It Never Sneaks In; There's Some Black Comedy In There, Like When He Shows Up To Court Wearing A Bicycle Helmet And Won't Take It Off.

There Were Times Where I Felt I Was Pressing A Little Bit Too Hard With The Humor, And I Had To Pull Back, Because The Overriding Concern Of The Book Was To Create This Disease That Had No Cure And Make You Pay Attention To Every Emotional Stage Of What Happens.

I Think A Fairly Common Behavior Among Fiction Writers Is That They Want To Help. They're Generally Charitable People. They're Interested In The World. They're Curious, They're Empathetic. They Understand Suffering. They Don't Turn Away From That. But What They Do Is Essentially Useless. Except For The Sake Of The Thing Itself.

I Think If There Hadn't Been The One Passage Of The Book That Mostly Abandons The Humor, And Focuses Very Intently On One Person's Struggle With Cancer, It Wouldn't Have Been A Critical Success. So That Was A Very Deliberate Decision, To Say "well, If You Think It's All Fun And Games, It's Not." So That Was My Approach: We're Going To Have As Much Fun As I Can Possibly Provide, But The Serious Things That Might Normally Pass By You Are Not Going To Be Lost.

I Think One Of The Ways You Avoid Being Angry Is To Avoid Being Angry At The People In Power. They Might Do Crappy Things, And Piss You Off, And Make Bad Decisions, But They Shouldn't Be Hated Simply Because They're In Power. And I Thought It Was Important To Humanize Them If The Book Was Going To Be Even-handed To All The Different Ways You Encounter People At Work.

The People At The Very Top Could Fall By And Grace You With Their Presence And Give You A Little Largesse, And You'd Be "oh, I'm So Beloved." In A Way, It Was Kind Of Like Flattery. The Middle Managers Didn't Quite Have That Cachet, But At The Same Time, They Had To Seem Like They Were Of That Caliber. So There's A Little Bit Of Loneliness At The Heart Of Those With A Little Bit Of Power.

If Someone Were Plucked From The Group And Given Those Responsibilities, They Might Find Themselves Growing More Aloof, Just By Virtue Of That Promotion. Suddenly The Group Culture Excludes You. I Saw This In My Own Working Life, And I Don't Think It's A Coincidence - I Sensed A Kind Of Loneliness In Middle Managers Especially.

Sometimes You Have To Make Decisions That Necessarily Exclude The Collective. It's More Difficult To Be A Friend - Even Though They Know Each Other And They Treat Each Other Like Friends, It's More Of A Challenge For Them. It's Just Institutional Fact; The Two Characters That Are The Most Aloof Are The Ones Who Have The Most Responsibility.

I Always Knew From The Beginning That This Was The Only Way To Write Then We Came To The End - That It Had To Be In First - Person Plural If It Was Going To Illustrate How The Individual Becomes Part Of The Collective. I Had No Interest In Writing The Book In A More Conventional Voice. It Goes Back To That Fascination I Had With Telling A Story In Multiple Ways. It Was The Only Choice I Gave Myself, Really - I Said "this Is It, Pal. If You Can't Tell A Story This Way, You're Going To Have To Abandon The Book. Write It This Way Or Give Up."

Once I Had The Voice, I Knew I Wasn't Going To Fall Off The Bicycle. I Tap Right Back Into It. It Really Was Like Learning How To Ride A Bike - You Never Forget, And I Was Able To Carry It Along With Some Ease. I Never Encountered Any Stumping Problems That Left Me Not Knowing What To Do, So I Was Mostly Able To Hold My Ground. Of Course, I Should Mention That It Took Me A Long Time To Actually Acquire The Voice; There Were A Lot Of Frustrated Attempts Along The Way, Revisions To Long Sections And Versions Of The Book That I Abandoned.

I'm Not Sure That All Books Aren't That Way. I Think That Might Apply To Any Book I Was Writing. The Book Was Kind Of The Product Of This Enormous Infatuation I Had, Not Only With The Office And Office Politics, But With Perspective, And Trying To Tell A Story From As Wide A Range Of Perspectives As You Possibly Can. I Tried To Capture It All With The First-person Plural, But Once I Settled On That, I Used It To Tell The Story From As Many Angles As I Could. I Guess, To Put It Romantically, It Was About A Love Affair With The Craft Of Perspective.